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It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar. As mentioned above, the Marantz SR8012 is in many respects remarkably similar to Denon's AVR-X6500H. --or simply skipping any bits you may feel comfortable enough to handle without the hand-holding. uses separate components to process the important sections of the A/D, DSP, and D/A conversions and therefore significantly improves signal processing capability and performance. By a staggering margin, most of you opt for either the Denon or Marantz at roughly the $1,500 price point. And the reasons for this started to reveal themselves when I switched over to music. Marantz' top-of-the-current-line receiver delivers oodles of output, plenty of channels, and a deliciously musical sound that should make any audiophile giddy. The base horizontal layer uses 5.1 or 7.1 format, the height layer is on top of the base layer and its information is extracted from the standard 5.1 surround PCM carrier. It should also come packed with a recipe for Eggs Florentine. Competition and Comparison True, the SR8012 is a step up from what most of you are buying these days, and its price reflects that. Marantz SR8012 has bigger power supply. Over the years Marantz developed different types of the HDAM to improve quality and to fit to the special requirements of a product category like CD or amplifier. These HDAM's consist of discrete surface mount components with short mirror image L/R signal paths. Unsurprisingly, given my recent experience with a variety of Sound United AVRS and preamps, the receiver's upscaling proved to be far superior to that of my TV, but the real-world proof of these capabilities is the fact that I found broadcast television positively watchable even at sizes up to 75 inches. In terms of legacy connectivity, it features 7.1-channel analog audio inputs, three component video inputs and one output, six line-level stereo analog audio inputs (RCA), two optical and two coaxial digital audio inputs (assignable), and a phono input with a signal ground. Dolby Vision is an update to HDR10 by adding dynamic metadata that can be used to more accurately adjust brightness levels up to 10,000 nits maximum brightness on a scene-by-scene or frame-by-frame basis and supports up to 12-bit color depth (4096 shades of RGB) and 8K resolution. A Dolby Atmos audio/video receiver (AVR) adapts the cinema experience to your home theater from seven speakers to as many as 34 in 24.1.10 configuration, recreating the original artistic concept. This, by the way, was in a 1,560 cubic-foot secondary listening room with 87dB sensitive speakers. Denon AVR-X6500H and Marantz SR8012 support Auro-3D and its Auro-Matic upmixer out of the box or after free firmware update. The Receiver works with Amazon Alexa and supports AirPlay 2. In fact, it's one of the most stunning video demos I've seen on any format, and its aggressive Dolby Atmos soundtrack (Dolby Digital+) is at times a fantastic torture test for any sound system. The Anthem doesn't feature multichannel analog audio inputs, and only five of its eleven speaker-level outputs deliver full rated power (140 watts into 8 ohms), with the rest delivering 60wpc via Class D amps. The one instance in which I would like to see Marantz's setup wizard be a little more hands-on is in the area of speaker measurement and room correction. Denon AVR-X6500H can be connected to internet using ethernet cable or built-in wi-fi adapter. The receiver also supports two key features from the upcoming HDMI 2.1 spec: eARC (Enhanced Audio Return Channel) and ALLM (Auto Low Latency Mode). Improvements to HDAM SA2 proprietary circuit, which Marantz says improves noise floor and soundstage. A more significant consideration, in my opinion--and let me stress again that this is a consideration, not a criticism--is that the SR8012 runs hotter than Satan's nether regions. Denon AVC-X6500H. MultEQ Editor gives you a lot more control over the room correction process, including things like allowing you to set a maximum filter frequency, so that Audyssey can work on the frequencies it tames best--the bass and lower midrange--while leaving alone higher frequencies. With Fellowship in particular, I was especially impressed by the SR8012's ability to absolutely rock out at reference levels without the slightest loss in dialogue intelligibility. Just the opposite, in fact. There's also a trio of HDMI outputs: two main zone (one with ARC) and one second zone. Dig under the hood, though, and there are some significant differences, including the SR8012's reliance on Marantz's proprietary HDAM (Hyper Dynamic Amplifier Modules) circuitry, a beefier toroidal power supply, more rigid construction, a stronger chassis, and better capacitors, just to name a few. The Marantz Digital Audio Expander 2, also called M-DAX2, recalculates the outputted frequency range. It would be nice if there were a clearer message to the effect of, "Hey, we can run you through this now, but if you'd like, you can download the Audyssey MultEQ Editor app and do it later. Auro-Matic upmixer takes non Auro-3D sound and upmixes to the current speaker configuration. Even in my larger, 2,646 cubic-foot main media room, the SR8012 proved more than sufficient to deliver a wholly satisfying listening experience, though of course that's with the benefit of hybrid powered GoldenEar Technology towers all the way 'round. And in the end let us list the detailed specifications of the receivers side-by-side. A technique used in DTS:X is similar to the one used in Dolby Atmos. In addition, the approach of developing and incorporating high-quality dedicated elements in the sections that configure the circuitry makes it easier to develop a high-grade, advanced surround circuit compared with the method where all processing is concentrated within a single chip. The Current Feedback amplifier technology fits perfectly with the high requirements set for Super Audio software providing wide-bandwidth, high-speed reproduction. Advanced AL32 Processing has three functions: 1. **** - 1080p signal is not converted, MP3, WMA, AAC, Apple Lossless, WAV, FLAC, DSD, High Resolution Music Playback via USB and/or Network, Multi-Channel Music File Playback via USB. At least not right now. 6.57 in. You'll automatically be entered in the HTR Sweepstakes, and get the hottest audio deals directly in your inbox. With the binding post pairs lying side-by-side instead of stacked atop one another, it's simply much easier to get to them to connect speaker cable to them, whether you're using bare wire or banana clips. In addition to the Marantz' reliance on proprietary HDAM circuitry, there are all of the other internal differences that I mentioned in the intro above. In other words, if we reviewed those two models alone out of the current slate of AVRs, we would be covering the needs for the vast (and I do mean vast) majority of our readership. The clean playback sound free of interference makes it possible to enjoy delicate details, accurate localization, and rich expression in the lower range. Both receivers support 4K passthrough up to 60p. Even after a few hours of casual TV watching with the volume set at moderate levels, the top of the chassis was literally painful to the touch. These differences became even more pronounced when I swapped out the RSLs for a pair of larger Paradigm Studio 100 v5 tower speakers (two pairs, actually; one for each receiver). Throughout my testing, I employed the SR8012 in several different configurations, including a 5.2.4 setup with RSL's new CG5 speaker system and pair of RSL Speedwoofer 10S subs as the bed, with a quartet of GoldenEar SuperSat 3 satellite speakers hook-mounted to the ceiling temporarily. But that heat is measured in metric buttloads, and as such you shouldn't even think about installing the SR8012 in an enclosed shelf with poor airflow. A single IC chip is generally used in processing A/D, DSP, and D/A conversions that are vital to sound quality. The impedance at the Current Feedback point is limited resulting in a very low phase shift. Seriously, though, what fun would that be? Your support is greatly appreciated! The DownsideI don't want to repeat myself too much here as pertains to IMAX Enhanced, because there isn't much more to say about it than I said in my review of the Denon AVR-X4500H, so see that review for further thoughts on this nascent platform. This also mean's the Denon has enough to show the SR8012 what cinema is all about, so it really does depend upon what your main usage is going to be. Connectivity score is defined from all wired and wireless inputs and outputs, internet and bluetooth connections, HEOS, SONOS and others. One of the most surprising insights is that our readers are almost a hivemind when it comes to purchasing AV receivers. And with 11.2-channel pre-amp outs, the SR8012 is a pretty damned compelling preamp in its own right. High-bit up-conversion (Adaptive Line Pattern Harmonized Algorithm), 2. If you want a deeper understanding of why this is important, check out my updated primer on the subject: Room Correction Revisited. Additional Resources• Visit the Marantz website for additional specs and information.• Visit our AV Receivers category page to read reviews of similar products.•Marantz AV8805 AV Preamp Reviewed at Denon AVR-X6500H has D.D.S.C (Dynamic Discrete Surround Circuit). And seriously, no joke, after just a few hours the temperature in the room was a solid four degrees warmer than the adjacent bedrooms. Its heat sinks are substantial and well-positioned, and the receiver doesn't appear to me to be compromised in any way in terms of airflow. One of the biggest benefits of's experiment with affiliate links over the past year is that it gives us some valuable insight into what sorts of products our readers are actually buying--not individually, mind you, but as a group. Don't buy the SR8012 for IMAX Enhanced alone. That could change down the road, however. ** - 480i/576i only The volume of information has been dramatically improved without any loss in the original data. As mentioned above, the Marantz SR8012 is in many respects remarkably similar to Denon's AVR-X6500H. Sometimes you just want to pull out the big guns. ConclusionDespite being an itsy bit over a year old at this point, Marantz has done a great job of keeping the SR8012 fully up to date with the addition of AirPlay 2, IMAX Enhanced, and other features via firmware. But I think there's a good reason that we tend to think of Marantz receivers as potentially being a better buy for folks who use an AV receiver for music listening: the differences I heard really need to be described in terms that we apply to music more than movies. We have evaluated both receivers. Marantz has an undeniable winner on its hands in the SR8012. And the natural room reverberation, especially in relation to the harder impacts, struck my ears as more lifelike throughout. In other words, I don't want to give you the impression that this AVR is in any danger of cooking itself. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. TL;DR? (The likeliest exception being the subwoofer outputs, which are right in the middle of the back panel, amidst the 11.2-channel preamp outs, and set apart by their black coloration).


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