She recorded her most popular song, “Bumble Bee Blues,” at her first session in 1929 and re-recorded the song repeatedly throughout her career, including a session with The Memphis Jug Band. She recorded around 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and " Me and My Chauffeur Blues ". Their marriage and musical partnership fell apart in the mid-thirties, around the same time Minnie became increasingly featured as a guitarist, vocalist and songwriter. A full-length biography, “Woman With Guitar: Memphis Minnie’s Blues” by Paul and Beth Garon was published by DaCapo press in 1998 with a 2nd edition in 2014. Yet she remains comparatively unknown and under-studied in relation to her influence and importance to the development of blues music and guitar playing. Perhaps it was cheaper to record a country boy’s guitar than an established vaudeville professional. Minnie used the name both publicly and privately, although her family still called her Kid. Sometimes a blues musician got paid with an apple or a can of sardines, sometimes she made as much as a hundred dollars. Styles were shifting toward jump blues bands and by the mid ’50s the record industry had changed irrevocably with the fabrication of rock and roll. It’s hard to imagine how prevalent live music was before the advent of consumer electronics. in the ’20s when record companies first perceived a market for the style. Apparently people in Chicago, who had never actually seen her play, were skeptical–so far no women instrumentalists had become prominent on the tough country blues circuit, although some (like guitarist Mattie Delaney), made a brief, tantalizing appearance, then disappeared.   The wretchedness of hitting the fields at dawn led some to try life with “the starvation box”, as Roosevelt Sykes called the guitar. Before she turned ten, she and her family had relocated to Wall, Mississippi, just south of Memphis. Joe and Minnie based themselves in Chicago throughout the early ’30s, playing clubs like the DeLisa and the Music Box, recording both together and separately. Bill grabbed half the prize (the bottle of whiskey) and took it off to drink under a table. She was born Lizzie Douglas in Algiers, LA. There were traveling shows of all kinds, from lowdown to grand, but they all included comedy, dancers and musicians of every type from jug bands to elegant pianists. Minnie settled Memphis in the early ’20s. More than a good woman blues guitarist and singer, Memphis Minnie holds her own against the best blues artists of her time, and her work has special resonance for today's aspiring guitarists. A 1953 stomper about STD's. The forties treated Minnie and Son Joe well and they performed both together and separately depending on finances, (they could make more money playing separate gigs). Tracking down the ultimate woman blues guitar hero is problematic because woman blues singers seldom recorded as guitar players and woman guitar players (such as Rosetta Tharpe and Sister O.M. Memphis Minnie was never interested in physical labor and she began to play on the streets of Memphis and the towns surrounding Walls soon after getting her first guitar. It is difficult to tell whether audiences demanded different music, or if they bought what was promoted and available. Sources not cited in the text are from record labels and personal conversations with musicians. ... (101 songs) Salt & Pepper 19-03-2015 Prison Bound Blues (Blues People - 1923 - 1930) 01.

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