Twenty years ago, Telefunken Elektroakustik opened its doors in South Windsor, CT, and returned the Telefunken ELA M 251 to production after almost forty years. Selecting the TF47 tightened up the lows while thrusting the upper bite of the acoustic and the vocals forward. It boasts improved low end frequency response and lower THD figures than its predecessor, due to a better impedance match to the 6072A. Telefunken has taken its popular R-F-T line and made some well-executed improvements in the Alchemy Series. While I only had a single TF51, it continued to shine in this use. The transformer in the TF51 is custom designed and made in Germany by Haufe, which also manufactures the T14/1 transformer found in the 251E and C12. The Alchemy series comprises four models: The TF47, TF51, TF29, and TF39. Alchemy microphones share the same brass body, head basket, and 7.87″ x 1.81″ profile. I think there are few users at the moment. This gave birth to the Diamond Series of ultra-high end classic recreations including the C12 and U47. Bump. The AR-51 has long been one of my favorite drum overhead microphones, especially when you want the overheads to represent the sound of the whole kit with individual spot mics mixed in at low levels for clarity and punch. The opening is also slightly longer than the R-F-T series for a better capsule position. If you like to do Glyn Johns-style drum miking, I can’t recommend a pair of TF51 mics enough. All are built in our South Windsor, CT, USA facility, just like RFT.” It’s more robust, and designed to fit the components comfortably with no cramming or overstuffing. Despite their sharing of bodies and packaging, these are not simply variations on a single mic design. This gave birth to the Diamond Series of ultra-high end classic recreations including the C12 and U47. As such, the TF47 does exhibit the telltale midrange thrust one expects in a 47-family microphone; it’s a sound that will quickly push a vocal, guitar or drum front and center in a mix. Telefunken presents Large Diaphragm Microphones TF51 B-Stock.If you are on the lookout for microphones, then this may be a fitting choice. TF51 The TF51 is a fresh take on the “Austrian” microphone sound associated with the TELEFUNKEN ELA M 251E and C12. https://recordingmag.com/.../telefunken-elektroakustik-alchemy-series-tf47-tf51 Free shipping in Canada. … I’m pleased that they’re quite different from one another, and they really do hit their familial targets quite well. Is this the same as their more expensive series but minus the bells and whistles? Hey guys! The transformer is also carried over from the AK47 MKII and is a custom-wound, historic spec BV8, which was used in classic U47 microphones. The R-F-T line was launched in 2005, combining global sourcing and US assembly/testing, bringing Telefunken sound and quality to a budget-conscious price point. AK-47 MKII, and the CU-29. © 2020 Music Maker Publications, Inc. All rights reserved. It’s much better than the usual off-the-shelf aluminum briefcases that come with most microphones in this price range. The microphone and accessories live in a compact hard nylon carry case measuring 10.5 x 13 x 5.5″. Check the other threads for descriptions of these mics compared to the RFT series (discontinued) and TF's higher end models. Again, I would describe this mic as exhibiting a clear yet feathery top end, a smooth and neutral midsection, and a low end that’s full and deep but not exaggerated. Telefunken Alchemy Series TF 51 0 reviews. These characteristics make it especially ideal for recording vocals, guitar amps, and drums. The R-F-T line was launched in 2005, combining global sourcing and US assembly/testing, bringing Telefunken sound and quality to a budget-. New Telefunken TF47 Adding Depth And Presence To Any SourceTF47The TF47 is a new design based on the German sound, drawing inspiration from the historic U47 and M49. On that theme, the TF51 uses the same Telefunken-branded 6072A miniature tube used in the Telefunken ELA M 251E and C12. Sonically, the TF47 is flat from 20Hz up to 500Hz, where it starts rising to a 4kHz peak of about 3dB. Find A Reseller… Telefunken were set up in Berlin as a collaboration between Siemens & Halske and the General Electricity Company and by 1939 the parent company had a staff of over 23,000 workers. Version two was reviewed in May 2014, after Telefunken changed the capsule to an edge-terminated CK12 style (closer to the ELA M 251 design). The newly designed kits are quite impressive. The Telefunken TF51 large-diaphragm tube condenser mic is a fresh take on the classic "Austrian" sound associated with vintage Telefunken ELA M 251E and C12 microphones. We first looked at the R-F-T AR-51 in November 2010, when it was based around a TK67 capsule. I described the original AR-51 to have a feathery top end, and the 2014 capsule update added smoothness and a fuller low end capture. Recording Magazine and Music Maker Publications, NOVEMBER 2020: IK Multimedia ARC System 3, SEPTEMBER 2020: SPL Mercury Mastering DA Converter, Gauge Precision Instruments ECM-80 Dynamic Vocal Microphone, JUNE 2020: oeksound soothe2 Dynamic Resonance Suppressor, MAY 2020: Peluso P-28 Pencil Tube Condenser Microphone. For this review, we’ll be focusing on the TF47 and TF51. Over a decade, the line would grow to include the AR-51. The TF51 retains the same capsule, and thanks to the new dual-layer mesh grille, inches even closer to the 251 sound. Seriously, Telefunken is going to have to send some burly German Elektroakustik Repo She-Devils to retrieve it, ‘cos I ain’t giving it back. While the names and models are similar, the Alchemy series is not merely the R-F-T line with a new look and packaging; each model is complete re-boot. Similar in each mic is the use of UK-made polystyrene film filter caps, a Sprague output cap, and a Nichicon Fine Gold cathode cap. Save 9.8%, MSRP $2838.00 Be the first to write a review. We’ll look at the two Copperhead models in a future issue. The first two mics pay apparent homage to classic mics of the past, while the CU-29 or Copperhead introduced a brand new Telefunken design. On electric guitar, 90% of the time I would choose the TF47 for its thrust and controlled low end, but on bass cabinets, I’ve always been a fan of the TF51 which, similar to acoustic guitar, lets the full, deep low end through while highlighting the detail of the fingers or pick on the strings. The TF51 was smooth and very neutral, with excellent clarity and depth. On female vocals in a sparse folk mix, I preferred the full, feathery TF51, but on a fuller indy rock track with loud guitars and a male vocalist, the TF47 was the better choice. With a deep low end and a forward midrange, the TF47 is excellent for adding depth and presence to any source. TF51 has the same CK12-style capsule as the AR-51. TELEFUNKEN TF47 (Demo Deal) The Telefunken Elektroakustik TF47 is a new design based on the "German” sound, drawing inspiration from the historic U47 and M49. This is my third time reviewing this microphone. the Tf-47 is a tube microphone from telefunken. The tube in the TF47 is a NOS American-made Raytheon/Philips 5840W. When you buy products through links across our site, we may earn an affiliate commission. The new grille is a single-construction steel frame with two layers of mesh; the R-F-T was three layers. Note that Telefunken also offers a stereo version of this mic, the R-F-T AR-70. The TF47 is a new design based on the "German" sound, drawing inspiration from the historic U47 and M49. Now the R-F-T line becomes the Alchemy Series. I started with some side-by-side comparisons of the entire Alchemy family. While it offers the classic U47 thrust and tonality, it doesn’t sound rough, dusty, or vintage in any way. I'm interested in them too. Its midrange response is gently scooped by less than 1dB, and then it displays a 1dB rise at 3kHz that falls back to zero at 6.5kHz, followed by a 2.5dB peak at 10kHz. Telefunken TF47 $2559.00. This tube was used in the AK-47 MkII and is also used in the ELA M 260. Make sure to check out the reviews but first of all press the red button below to see if it fits your music taste. According to Telefunken, “These changes provide a more open and transparent response. From there, the curve rolls off quickly. There are clips and comparisons on TF's website/youtube and also in the clipalator. Switching to the TF39… stay tuned for a future review of my results! They include two mounting options: a hard ring mount, and an open-faced shock mount. With a deep low end and a forward midrange, the TF47 is excellent for adding depth and presence to any source. Telefunken TF51 & TF47. In 1941 AEG bought Siemens & Halske, and in 1967 Telefunken were merged with AEG and the company renamed AEG-Telefunken. The TF47 is not intended to be a U47 clone; rather, it’s a modern design that falls into the U47 family of sound. For reference, the 251 headgrille has two layers of mesh.”. I tracked a song with all of the mics in a close capsule star pattern on a full song of small-body Gibson acoustic guitar, female vocals, shakers, and percussion. All-in-all, this mic has become my new favorite piece of kit. Conditions. The first two mics pay apparent homage to classic mics of the past, while the CU-29 or Copperhead introduced a brand new Telefunken design. The TF51 continues the 251 legacy, delivering smooth midrange and airy highs while capturing every nuance of the source in … Over a decade, the line would grow to include the AR-51, AK-47 MKII, and the CU-29. While each mic looks alike and shares the same ‘digs’, each one boasts a different capsule, tube, and transformer. Like the TF47, the TF51 is fairly neutral from 20Hz to 200Hz, but with just a touch more body. Telefunken Elektroakustik Alchemy Series TF47 & TF51. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Here again, it’s a tossup. Call 044-28193445 for ... the ""German"" voiced TF47, and the ""Austrian"" voiced TF51. Each one shares a direct lineage to a past R-F-T incarnation, and in some cases, a famous classic Diamond Series cousin. The TF47 is a new design based on the “German” sound, drawing inspiration from the historic U47 and M49. This is a reliable first choice for stand out vocals, acoustic instruments, and percussion. Product Code: Telefunken TF 51 Call for Availability ₹169,675. This is one of the nicest mic cases I’ve seen in a while. TF47 has a K47-style capsule, not used in any RFT mics. NAMM 2014: Slate Digital Introduces The VIRTUAL MICROPHONE SYSTEM, Slate Digital Launches The VIRTUAL MICROPHONE SYSTEM. This marks a significant change from the previous AK-47 MKII, which used a K67-style capsule. The TF51 continues this legacy, exhibiting a smooth midrange and airy top end, capturing every nuance in pleasant detail. How does it sound? wenty years ago, Telefunken Elektroakustik opened its doors in South Windsor, CT, and returned the Telefunken ELA M 251 to production after almost forty years. If you want a more rock ‘n’ roll acoustic sound to poke out of a dense mix, I would choose the TF47, but if acoustic guitar is the star of the mix, then the TF51 captures the rich lows and strums nicely. conscious price point. There are clips and comparisons on TF's website/youtube and also in the clipalator. On drums, the TF47 is better suited to front of kick, or as a mono room mic, where it takes compression quite well. The TF47 is the U47-flavored model in the line and a direct descendant of the R-F-T AK47 MKII, which we reviewed back in October 2011. Except for the cardioid-only TF29, each mic is a multipattern tube microphone.

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